Press
Among the published records about the production of the Tanz-OperTheater Antonymax,we have selected the following passages :
- “In L’Histoire du soldat the principal part of the piece falls to the narrator, role brilliantly played by the recitant Antonyne Lecocq-Vandermaesbrugge, who has a clear voice, well resonant and which carries far off. Thanks to her strong expressiveness and with the evidence of her appearance - the rhythm itself of the sentence adapting to the movement on the stage - this artist has literaly made us enter in that fresco.”
Hilda van HEEL (Luxemburger Wort)
"L'Histoire du Soldat" by Stravinsky in Luxembourg.
- “Dance and music were in the foreground of the modern adaptation by the stage-manager Antonyne Lecocq and the choreograph Ingrid Lootvoet; this not without reason because, in these disciplines, the fourteen performers were wonderful.
... With Antonyne Lecocq and Max Vandermaesbrugge at the piano, the music by Kurt Weill was sometimes ringing as an opera, sometimes as a musical.”
Elli BRANDT (Grenz-Echo)
"The Threepenny Opera" by Weill : the rehaersel in Brussels.
- “The almost totally women’s team of Antonyne Lecocq was duty bound to celebrate the centenary of the birth of the Belgian dramaturgist Michel de Ghelderode. Her choise fell on an unrecognized play: Women at the tomb, piece in one act, with a biblical inspiration, presented in a legible and sober production by young actors full of an obvious conviction.”
Stéphane DADO (La Libre Belgique)
Women at the tomb by Ghelderode at the Cultural Centre of Sambreville.